Day 143 : They Only Come at Night – Pandemic

Singapore is under attack by a deadly virus that turns the infected into bloodthirsty vampires and we are the last survivors! We must escape to OldSchool, the last stronghold where survivors gather and hopefully, we will make it out of this pandemic alive!

And that’s the story premise of the most experiential piece of theatre at this year’s Singapore Arts Festival. Happening at OldSchool, They Only Come at Night : Pandemic is a play where the audience gets to play. What does that mean? Quite simply, the audience is a part of this theatrical production that unfolds like a larger-than-life diorama.

I won’t divulge the story, but here’s an account of how I survived…

Pandemic took place at OldSchool, which is the former Methodist Girls’ School turned art enclave.

Located on Mount Sophia, the old world setting provided an excellent backdrop for a piece of drama that took advantage of the site.

What horrors await?

Crucifix in hand and garlic in pants.

Our journey to survive the vampires begins with a free exploration of the post-apocalyptic school…

I was told that OldSchool would be demolished soon so Pandemic was a great opportunity for us to wander and feel the nostalgia charm one last time.

Listening to narration that gives the background on what caused the pandemic while finding our way around. There was quite a bit of walking around and climbing of stairs. It was exercise theatre!

The school premises was dressed up to inject fear but not to the scare level of haunted houses.

Who or what is Quinn? My curiousity was stroked. The answer was revealed during the play.

Lots of broken salt circles littered the set. Complete salt circles are believed to be protection rings that keep evil forces out.

After exploring the upper level corridors, the audience gathered at the performance space on the lower level.

One advice for catching Pandemic… bring perfume or axe oil. As the play progresses, the most scary things weren’t the impending threat of being devoured by a vampire, but the body odours that emanated from everyone around.

The actors stood on makeshift stages to deliver their lines and at times, came down and interacted with the audience.

Close encounters of the fright kind.

Performed as a piece of interactive theatre where the audience were also props and actors, I thought the concept was creatively novel and interesting. But anyone seeking to be really spooked would be disappointed, as was I.

Personally, I felt the audience participation was merely a means of distracting the audience from a script we’ve seen so many times at the movies and the play’s cliche characterisations. The actors did a good job, just that the evening started out promising but the creature feature was too safe to raise any heart rates. They vampires was what we came for after all.

And the lenghty dialogues lost out to the sticky heat of an open-air performance space and didn’t quite reach a level of engagement where I felt for what went on, the five characters, or the theme of courage.

But for the unusual way that a play can be presented and experienced, I think Pandemic had stabbed a stick right at the heart of creativity.

They Only Come at Night : Pandemic runs from 22 – 27 May 2012.

Ticket Price : S$36.00 from SISTIC.

Day 076 : Singapore Arts Festival 2012 Bloggers’ Preview

Singapore's version of Twilight? We call it charp jee diam (Hokkien for 'twelve midnight').

No, it’s not Halloween in March. But come May, Singapore will be infested with vampires. And don’t bother with stocking up on garlic, cruxifixes and holy water. The vampires are immune.

Not even a stick to the heart can kill them and they’re out to hunt us! Only a group of last remaining vampire killers can annihilate them.

They are the last hope Singaporeans have to survive this Pandemic of a vampiral outbreak.

Does this sound like the plot of a video game or movies such as Underworld? Yes it does.

And that’s how the 2012 edition of the Singapore Arts Festival will make art relatable to the young, young at heart, heartlanders, and land-above culture vultures.

I’m never the arty farty sort. I can never tell the difference between Shakespeare and South Park. Or Beethoven from the ting of my microwave oven. But I have a feeling that the Singapore Arts Festival 2012 might just have something for me.

I attended a blogger preview of the Arts Fest and from the rundown of programmes and acts lined up for the 2-week festival starting in mid-May, I had the feeling that many of the performances would be movies brought to the stage in a format that a hoi polloi like me can appreciate.

Received an elegant and functinoal door gift at the event. It's so exquisite, I thought it was a pendant until I realised its true use. Me so suah ku (ignorant) lah!

Titled ‘Our Lost Poems’, this year’s theme is the final instalment in a trilogy of the Arts Fest 3-part journey to bring art to the man-on-the-street. The theme for 2010 was ‘Between You and Me’ and last year’s was a personal ‘I Want to Remember’.

The themes have such so a down-to-earth appeal right? I really appreciate that because my impression of art has always been something that only the very educated affluent (a.k.a. cultured people with too much money) indulge in. But this festival, 70% of the programmes are public and free!

The bloggers' event was held at Goodman Arts Centre. First time stepping into this house of art in Singapore's south-eastern neighbourhood.

Other than the experiential theatre brought on by Pandemic (They Only Come at Night) where the audience is part of the performance, there are a few other acts that piqued my interest.

There’s ‘The Best Sex I’ve Ever Had’, a dialougue-o-rama by a group of women above 65 on orgasm and love; ‘男男自语’, a gay tale spun around love, lies and loss; ‘The Wind-Up Bird Chronicle’ which is a theatrical adaptation of the works by Japanese literary master, Haruki Murakami; and ‘The Flight of the Jade Bird’ by Singapore’s very own man of multiple talents, Mark Chan.

Here’s a sneak of upcoming acts in Singapore Arts Festival 2012…

During the bloggers’ event, we got a treat to catch the very heartwarming, tear-milking documentary of one of the festival’s key acts, Young@Heart. The award-winning documentary traces a choral group in their lead-up to a performance. No big deal right? Sounds like an episode off Glee. Except that the chorus ensemble is made up of members with an average age of 80!

The documentary was inspirational without being cliched, hilarious without trying to be funny, and poignant simply because of the zest for life these geriatrics have. They have so much more purpose and enthusiasm about living than many people I know. And they are coming to Singapore to perform for the Arts Fest from 23 – 26 May (5 shows only)! Definitely a must-see…

My favourite dialgoue from the documentary was when the chorus’ conductor asked a member who had a near death experience if she saw a white light. “I refused to look!” was her response. LOL.

To find out more details about Young@Heart’s showtimes and the schedule of exciting programmes, performances and public acts coming your way, visit the Singapore Arts Festival’s website.

The elegant door gift was actually a well-concealed thumbdrive. Nice! And of course, acts of the Arts Fest is not like a movie you can download. The best way to enjoy is to experience the language of art in person! Tickets are on sale with early-bird discounts of 20%. Book early for great savings!

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